Friday, February 7, 2014

February 9, 2014 - Epiphany 5

Sonatina for Baritone - Warner Hutchison
Elijah: "And then shall your light break forth"
                                                               - Felix Mendelssohn
If Ye Love Me - Thomas Tallis

Hymns: #601 St. Michael, #341 Omni Dei, #779 Dunedin


This week’s music fits together in a kind of if/then relationship. The first anthem extols God’s name and his greatness while the second is his message to his people. Stylistically the two pieces are quite different. Both are contrapuntal but with varying styles of polyphony. From a mood stand point they couldn’t be more different although both pieces are uplifting they have very different messages.

The same Hutchison is a composer, hornist, and teacher having served several universities including Houghton College here is New York. His more than 160 works have been premiered at the Kennedy Center and Lincoln Center as well as other prestigious venues around the world. could be said for the prelude and postlude, Warner Hutchison’s  (b. 1930) Sonatina for Baritone. The second movement reflects moments of uncertainty and searching while the third movement, filled with repetition is resolute in its joyful nature. This dichotomy is further explored in the choir anthems for today.

The final chorus in Felix Mendelssohn’s (1809-1847) monumental oratorio Elijah brings the piece to a powerful close. And then shall your light break forth follows the quartet O Come Every One that Thirsteth. This all takes place after Elijah has ascended to heaven on a fiery chariot and his mantle has been passed to the prophet Elisha. Mendelssohn seems to be telling us that if we come to him (God) that our “light will break forth,” “our health shall speedily spring forth,” and “the glory of the Lord will reward us.” The choir then breaks out into a giant fugue of praise about the excellence of the name of the Lord.  This culminates in a huge “Amen” at the end of the piece.  This moves well into the communion anthem by Tallis.

If Ye Love Me reminds us of God's promise to us to bring us comfort through His Spirit in our time of need and throughout our life. I think that Thomas Tallis's (1505-1585) setting is interesting because the first phrase "If ye love me keep my commandments" is only heard at the beginning of the piece. It is more about reinforcing the idea that we shall be comforted and that God's Spirit will "bide with you forever." This is in some way a follow up to the Mendelssohn because we end praising His name and these are His instructions to us, but instructions that again end with a reward, a promise.  There are times when I feel that Elijah could have benefited from a message like this, and in fact got them from the various angelic figures in the story. The statement made by this piece is no less powerful than the large accompanied fugal writing of the gradual anthem but it manages to make its statement with soft, unaccented vocal lines that gently rise and fall in a very unassuming way toward the hollow open fifth that ends the piece.

 

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