Friday, January 25, 2013

January 27, 2013 - Epiphany 3

Elegiac Prelude on "Jerusalem" - Charles Callahan
The Spacious Firmament - Charles Hubert H. Parry
We Shall Walk Through This Valley - William Appling
Ode for the New Year - William Selby

Hymns:#536 Torah Song, 321 Pockingham, #537 Moscow

This week’s music has English roots that are carried over into America. The prelude and gradual anthem are settings by Charles Hubert H. Parry (1848-1918) the postlude is a short piece by William Selby (1738-1798), a London born organist that immigrated to Boston; and the communion anthem is a setting of a traditional spiritual by the American composer William Appling (1932-2008).

Charles Hubert H. Parry is an English Romantic composer that has gone all but unnoticed in the canon of music history. He is perhaps best known for his setting of William Blake’s poem Jerusalem, which is the basis for the prelude this week. Parry began his musical studies at Eton and then Oxford. While his father always encouraged his musical abilities, he had a different career path in mind for his son. Parry worked as a clerk for Lloyd’s of London and pursued his musical studies on the side. It was during this time that he began his studies with pianist Edward Dannreuther. These studies marked a turning point in the young composer’s life. He was introduced to the music of the piano virtuosos of the day as well as the music of Wagner. Parry’s compositional career took off with many commissions for oratorios and cantatas which marked a “renaissance” in English music. In 1875 he was appointed assistant editor of the Dictionary of Music and Musicians by George Grove and was given the post of professor of music history and composition at the Royal College of Music by the same. In 1895 he took over the directorship of the school and served until his death. From 1900-1908 he also served as a professor at Oxford, a post he abdicated at his doctor’s recommendation. After this “retirement” Parry wrote most of his best-known pieces including Jerusalem and The Songs of Farewell.

The setting of Jerusalem that I am playing today is described as an “Elegiac Prelude,” a piece with mournful qualities. This setting by Charles Callahan (b. 1951) begins with a plaintive reed solo played in the tenor register with lush chordal accompaniment. The solo ends and the accompaniment seamlessly takes over before returning to the texture of the opening. This time, however, it’s reversed with the accompaniment in the left hand and the melody, played on a solo flute in the right.

The gradual anthem is a setting of Joseph Addison’s (1672-1719) The Spacious Firmament on High, one of several hymn texts that he contributed to The Spectator, a daily publication written by Addison from 1711-1712. The mission of this paper was "to enliven morality with wit, and to temper wit with morality...to bring philosophy out of the closets and libraries, schools and colleges, to dwell in clubs and assemblies, at tea-tables and coffeehouses” and “is introduced at the close of an essay on the proper means of strengthening and confirming faith in the mind of man.” (hymnary.org). The anthem, in three verses, begins with the women singing the first half of verse one followed by the men. Verse two depicts a quieter, more subdued view of praise which leads to the triumphal return of the opening theme in verse three.

The postlude by William Selby is entitled Ode for the New Year. Despite the fact that we are at the end of the first month of the New Year, I thought this piece was well suited to the day of the Annual Meeting as the church prepares to enter a new year of growth and leadership. Selby was born in London and served as an organist and choirmaster there before his immigration to the United States in 1771. While in the States he served as the organist of King’s chapel in Boston while running a grocery store and liquor store. This short piece in ABA form opens and closes with a trumpet tune. The B section is a dance-like duet in 6/8 for cromorne (a stop which sounds like a very buzzy clarinet), and flute.

The communion anthem is an arrangement of the spiritual We Shall Walk Through This Valley in Peace by conductor, pianist, arranger, and educator, William Appling. Appling served as Choral Director for Glenville High School. Later in life went on to hold other prominent positions including Director of Choral Activities at Vassar College. In 1979 he founded the William Appling Singers and Orchestra, a professional ensemble which performs music from all periods and styles. This piece is very straight-forward. This anthem (like the Parry) has three verses but this one peaks in the middle and tapers to a soft smooth ending. The message is simple. We shall walk through the valley in peace IF Jesus is our leader. It is Jesus that brings peace

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